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Choosing a painting surface

Start with the edge. A painting can wrap around a stretcher, hang as loose cloth or sit on a rigid panel. Compare the three supports available in the Commission Lab.

Support / ground / painted surface
Woven canvas folded around a wooden stretcher

Stretched canvas

Fabric is pulled taut around wooden bars. Choose this when you want the painting to stand away from the wall and its wrapped edges to show.

Loose woven cloth with a visible cut edge

Loose canvas

The cloth stays flexible. Choose this if you want a textile edge or plan to have the painting stretched or mounted after it arrives.

Exposed layers at the edge of a wood panel

Wood panel

The artist works on a rigid board. Its firm face and narrow edge suit a piece you plan to frame or display close to the wall.

Ground, medium and frame

The support carries the work. The ground prepares it for the artist’s medium, such as oil paint. A stretcher sits behind the cloth, while a frame surrounds the finished picture. If a frame has to fit an alcove, include the total available width in your brief.

Have a work on paper in mind? Ask the studio about paper before choosing a support.

Try the materials in the Lab